USA/Canada
directed by: Robert Eggers
written by: Robert Eggers, Max Eggers
starring: Robert Pattinson, Willem Dafoe, Valeriia Karaman
seen on 29th January, 2020
-"If I had a steak... I'd fuck it."
I don't know why it took me so long to admit this: the boys did nothing wrong.
Introduction
1001 movies you must see before you die. Must I? Let's see.
My name is Dagmar and I am from Czech Republic. I have a bachelor's degree in screenwriting. I study movies. I watch movies. I write about movies. I kind of mention movies a lot. I even cross stitch things I like in movies. My views on cinema could be described as peculiar. My views on the "1001 movies" list as complicated. It happens a lot that I get the feeling it wasn't that necessary to see some particular movies. Sometimes I'm really grateful I saw them. And there are also times when I don't watch any new movies for six months straight. And they keep adding new movies every damn year so I might have to never die to watch them all.
What's the score right now?
606/1245 - That's 639 left to see.
I started this experiment on July 3rd 2009 and the latest update was made on April 19th 2023.
You can find the full list here.
1001 movies you must see before you die
(1)
1920s
(5)
1930s
(16)
1940s
(6)
1950s
(6)
1960s
(21)
1970s
(21)
1980s
(25)
1990s
(24)
2000s
(34)
2010s
(49)
2020s
(1)
action
(14)
adventure
(20)
animated
(7)
Australia
(2)
Austria
(1)
Belgium
(1)
biography
(14)
Brazil
(2)
Canada
(7)
catastrophic
(3)
China
(2)
comedy
(32)
coming of age
(22)
crime
(22)
Czechia
(1)
Czechoslovakia
(2)
Denmark
(2)
documentary
(3)
erotic
(3)
existential
(87)
experimental
(2)
expressionism
(2)
fairy tale
(3)
family
(7)
fantasy
(16)
film noir
(4)
FLAVOURLESS
(55)
France
(22)
Germany
(12)
historical
(14)
Hong Kong
(6)
horror
(13)
Hungary
(3)
I LOVED IT
(50)
India
(1)
Ireland
(2)
Italy
(9)
Japan
(2)
Jordan
(1)
Lebanon
(1)
Mexico
(4)
musical
(22)
mystery
(14)
Netherlands
(2)
New Zealand
(2)
parable
(2)
poetic
(1)
psychological
(8)
Quatar
(1)
road movie
(3)
romance
(42)
satire
(6)
sci-fi
(25)
South African Republic
(1)
South Korea
(1)
Soviet Union
(3)
Spain
(3)
sport
(3)
Switzerland
(2)
Taiwan
(3)
THE FIRST CIRCLE OF HELL
(23)
thriller
(22)
THUMBS DOWN
(55)
THUMBS UP
(74)
Tunisia
(1)
United Kingdom
(35)
USA
(163)
war
(16)
West Germany
(1)
western
(11)
Wednesday, 29 January 2020
Tuesday, 28 January 2020
Enter the Dragon (1973)
Hong Kong/USA
directed by: Robert Clouse
written by: Michael Allin
starring: Bruce Lee, John Saxon, Jim Kelly
kcommented on 28th January, 2020
Is it just me or is this a Bond movie... except with Bruce Lee in it? In the sense that it is either really badass, or really funny, depending on your point of view.
directed by: Robert Clouse
written by: Michael Allin
starring: Bruce Lee, John Saxon, Jim Kelly
kcommented on 28th January, 2020
Is it just me or is this a Bond movie... except with Bruce Lee in it? In the sense that it is either really badass, or really funny, depending on your point of view.
Friday, 24 January 2020
Roma (2018)
Mexico/USA
written and directed by: Alfonso Cuarón
starring: Yalitza Aparicio, Marina de Tavira, Carlos Peralta
seen on 24th January, 2020
I view this film just like I view the scene of the fire during the NYE celebrations. I don't understand its purpose and I don't know what to feel.
written and directed by: Alfonso Cuarón
starring: Yalitza Aparicio, Marina de Tavira, Carlos Peralta
seen on 24th January, 2020
I view this film just like I view the scene of the fire during the NYE celebrations. I don't understand its purpose and I don't know what to feel.
Wednesday, 22 January 2020
Mutiny on the Bounty (1935)
USA
directed by: Frank Lloyd
written by: Margaret Booth, Jules Furthman, Carey Wilson, Talbot Jennings + Charles Nordhoff, James Norman Hall (book)
starring: Charles Laughton, Clark Gable, Franchot Tone
seen on 22nd January, 2020
I wouldn't call the use of title cards between shots as a sign of a clumsy transition between silent and sound film, in fact I'm pretty sure that it's a sign of inexperience and quandary when adapting a literary source into visual language of film. I think it a good thing when dialogue serves mostly as a way to convey the complexities of its speakers' characters, it's not ideal when the talking focuses too much on moving the story forward. A novel has a different structure that a "traditional" film story arc, and I would say I remember commenting dozens (and perhaps hundreds) of times under all sorts of adaptations that only a minority of (Hollywood) screenwriters can masterfully translate (and not simply shorten) a book story, to make it make sense on the big screen as well.
Other than that, it sure is a cool flick. I wonder what it would be like to see it when it was made. Also, could any of the actors pass as capable/make it big in todays cinema? Could any of their performances be called timeless? Even though his character looks the most like a caricature, I bet that Charles Laughton checks all the modern complex actor boxes. The other two guys would look like models struggling to act today.
directed by: Frank Lloyd
written by: Margaret Booth, Jules Furthman, Carey Wilson, Talbot Jennings + Charles Nordhoff, James Norman Hall (book)
starring: Charles Laughton, Clark Gable, Franchot Tone
seen on 22nd January, 2020
I wouldn't call the use of title cards between shots as a sign of a clumsy transition between silent and sound film, in fact I'm pretty sure that it's a sign of inexperience and quandary when adapting a literary source into visual language of film. I think it a good thing when dialogue serves mostly as a way to convey the complexities of its speakers' characters, it's not ideal when the talking focuses too much on moving the story forward. A novel has a different structure that a "traditional" film story arc, and I would say I remember commenting dozens (and perhaps hundreds) of times under all sorts of adaptations that only a minority of (Hollywood) screenwriters can masterfully translate (and not simply shorten) a book story, to make it make sense on the big screen as well.
Other than that, it sure is a cool flick. I wonder what it would be like to see it when it was made. Also, could any of the actors pass as capable/make it big in todays cinema? Could any of their performances be called timeless? Even though his character looks the most like a caricature, I bet that Charles Laughton checks all the modern complex actor boxes. The other two guys would look like models struggling to act today.
Monday, 20 January 2020
The Greatest Showman (2017)
USA
directed by: Michael Gracey
written by: Jenny Bicks, Bill Condon
starring: Hugh Jackman, Rebecca Ferguson, Zendaya
seen on 20th January, 2020
I wonder if it's possible that I just hate fun. Or drama. Or happines. Or life. Jesus Christ, what a stupid empty film this is. The intensity of those musical numbers does not change from the beginning to the end, there is no way to escalate it or fool the viewer into thinking that there is some sort of a point to it or whatever so the whole thing is about... nothing in the end? For example, I can't think of a single reason for Rebecca Ferguson's character to be included other than that the creators wanted to have another shiny trinket in there. Biographical films are usually rubbish, but this one gives up on describing life sooner than is common.
directed by: Michael Gracey
written by: Jenny Bicks, Bill Condon
starring: Hugh Jackman, Rebecca Ferguson, Zendaya
seen on 20th January, 2020
I wonder if it's possible that I just hate fun. Or drama. Or happines. Or life. Jesus Christ, what a stupid empty film this is. The intensity of those musical numbers does not change from the beginning to the end, there is no way to escalate it or fool the viewer into thinking that there is some sort of a point to it or whatever so the whole thing is about... nothing in the end? For example, I can't think of a single reason for Rebecca Ferguson's character to be included other than that the creators wanted to have another shiny trinket in there. Biographical films are usually rubbish, but this one gives up on describing life sooner than is common.
Shanghai Express (1932)
USA
directed by: Josef von Sternberg
written by: Jules Furthman
starring: Marlene Dietrich, Clive Brook, Anna May Wong
seen on 20th January, 2020
Damn, Anna May Wong was a goddess of her own, it's a shame that nobody mentions her while talking about this film, Marlene makes people forget everything else. I could do without the romantic subplot, the political tension was enough. I wanted to punch that lady with a dog. That is my educated opinion.
directed by: Josef von Sternberg
written by: Jules Furthman
starring: Marlene Dietrich, Clive Brook, Anna May Wong
seen on 20th January, 2020
Damn, Anna May Wong was a goddess of her own, it's a shame that nobody mentions her while talking about this film, Marlene makes people forget everything else. I could do without the romantic subplot, the political tension was enough. I wanted to punch that lady with a dog. That is my educated opinion.
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