Introduction

1001 movies you must see before you die. Must I? Let's see.

My name is Dagmar and I am from Czech Republic. I have a bachelor's degree in screenwriting. I study movies. I watch movies. I write about movies. I kind of mention movies a lot. I even cross stitch things I like in movies. My views on cinema could be described as peculiar. My views on the "1001 movies" list as complicated. It happens a lot that I get the feeling it wasn't that necessary to see some particular movies. Sometimes I'm really grateful I saw them. And there are also times when I don't watch any new movies for six months straight. And they keep adding new movies every damn year so I might have to never die to watch them all.

What's the score right now?
606/1245 - That's 639 left to see.
I started this experiment on July 3rd 2009 and the latest update was made on April 19th 2023.

You can find the full list here.

Tuesday, 3 January 2017

MASH (1970)

USA
directed by: Robert Altman

written by: Ring Lardner Jr. + Richard Hooker (book)
starring: Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman
comment: 3rd January, 2017

It needs to be said that the subsequent TV series was intensely watched (and worshiped) in my household throughout my entire childhood, so the series will always be a golden standard in my eyes, no matter what the circumstances are. And while I'm saying things that need to be said I better say that I don't think I properly understood the film. I mean, I am perceiving what is going on, and I sense what were the creators' intentions, but I don't get why they chose to approach the subject the way they did and sometimes it's even a bit uncomfortable for me to watch it.

The song "Suicice is painless" sums it up nicely. It's a bit scary without context, it might seem harmless and catchy, but the longer I think about it the more silly and detrimental it seems - mainly because of its lyrics, the interpret's uncaring tone of voice and absence of healthy sarcasm anywhere near it. The song's use during "the last supper" somehow betters its reputation in my eyes, beucase it gets the much needed, even though unspoken, commentary from film's creators.

So yes, some parts of the film can be entrancing, but the whole thing does not work for me. My favourite anti-war satires look differently. Right in the year 1970 sprouts one of my favourites, Catch-XXII, and it beats MASH by a lot. I can understand their work with absurdity of war with my mind and with my heart and both are happy. I miss Altman's points completely. He's humiliating Hot Lips to reveal her hidden fragility, what?!


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